Showing posts with label metatravel. Show all posts
Showing posts with label metatravel. Show all posts

Monday, February 08, 2010

Witnessing

Photo: Young monk with begging bowl, taking part in the sticky rice ceremony of alms-giving at sunrise, Luang Prabang.

It's curious to go from very touristed places to very undertouristed ones, as your presence means such different things.

In a city like Luang Prabang, which in the past years has seen a huge surge in tourism, which as a small city is awash in the visiting, mostly European foreigners, you are one of a lucrative herd. People aren't surprised to see you. They might be enterprising, they might be weary, they might be genuinely friendly, but they've seen your type before.

When you get further out, even just to the outskirts and sidestreets of the same tourist town, is when you get more of a reaction. People look twice. Sometimes they even look shocked, frightened, as if you've intruded somewhere they thought they were safe - this is a terrible feeling. More often though, people stare openly and with interest, and usually with a generous smile.

It's a whole other feeling entirely in Mae Sot, a smallish town just east of the Thai-Burma border. It's not that foreigners are particularly rare, but most of them are longer-term visitors: volunteers and NGO workers. People's friendliness is stepped up a bit. You're a neighbour, probably even a good neighbour, since you're here for altruistic reasons. So many people say hi, especially kids, and your cheeks ache from smiling back.

The impact that your gaze has is very different too, from Luang Prabang to Mae Sot. Even though I love this photo, I have misgivings about having taken it at all. One of the most popular tourist sights in LP is the early morning alms-giving ceremony. Women get up in the dark to cook sticky rice, make meals, and then dress in their best sihn and blouse, with a temple scarf draped over their shoulders. They kneel in the early morning damp, mist, and chill with woven bamboo baskets in front of them. They wait patiently for the slow approach of the orange-robed monks in single file. The monks will come holding out their begging bowls, and each woman will offer a small ball (which she has pre-rolled) of rice to each monk, each offering a blessing. While the women wait, some chat, while others sit quietly with their faces closed in private meditation. When the monks approach, all the women become still, faces relaxed as they hand out the rice with a prayer, until all the wats have had their turn, and the women can return to their daily work.

It sounds beautiful, and it is. What the photo doesn't show, though, is what a miracle it is that there are no tourists obtruding into the still moment. Even though all over town there are stern documents instructing tourists on how not to ABSOLUTELY DESTROY the alms-giving ceremony, foreigners stand with their enormous cameras right up against the waiting women. The clicks and flashes (because it is still quite dark) rob the moment of its proper solemnity. Though their faces are controlled, it's not hard to imagine how irritating it is to drag yourself out of bed at 4am as a religious duty, a gift, only to have the meaning leached out by the presence of gawky pale people in quick-dry microfibre and fleece. Of course I still went, and I still took pictures, so I am just as guilty (though at a slightly greater distance).

It's the opposite in Mae Sot. There are so many pictures I haven't taken with my camera - but everywhere my eye falls I try to fix the image in my head - faces, artefacts, detention cells. Since being here (where I tend to forget I'm still in Thailand, so Burmese a town it is) I have learned so much more about the situation in Burma, culture and history as well as current deprivation and atrocities. I have met so many open, incredibly generous people, who are so willing to give of themselves, to sit down with me and teach me, even to house and feed me, so that I'll understand.

And on a trip that is largely on the other side, the tourist side of the equation, it's good to be reminded of the impact of witnessing. There is a sense of importance just in knowing, in being able to share stories when across an imaginary line, a border, there is so much armed force commiting crimes of silence, of lies and purges and misinformation. There is a value in seeing, listening, and bringing reality to what was previously abstract.

And there's more of a value when those stories are shared again and again - which I look forward to when I am home.

Saturday, January 30, 2010

More than that

Photo: Thatched bamboo house with rice straw roof in a Khmu village, Luang Prabang province, Laos.

I associate the song "Guess How Much I Love You" by the Lucksmiths with being twenty and being in love, and finding any separation at all an ominous, painful gulf. But when I was compiling my travel playlist it felt rather appropriate too.

I bought a postcard
I'm getting close but
I haven't got around to it yet
I know I said I'd write
And maybe I might

It's harႈd to pull together all the threads while travelling, hard to live in the moment and also get to all those things that need doing. Sometimes I feel like all I can think about are obstacles; and things to feel anxious about; and the moments spent waiting for something to happen, as if all the day is nothing but in-between time.

On the map the gap's three fingers
But it's more than that
More than that

Distances can seem so incalculably large when you look at two points, if all you think of is the gulf between them. But travelling this way, roaming over the surface of the earth and finding the familiar in so many previous unknowns, I find myself thinking of it the other way around. It's not gaps any more, but just so much more space to be filled, so much more possibility.

Lyrics.

Friday, January 22, 2010

Things I'll miss

This helpful photo taken inside the "five-star" toilet in the Angkor Thom temple complex, Siem Reap, Cambodia.

You might think of fresh mangoes and tropical sun, but for some reason I started thinking about all the little things that are strange at first, and then quickly after taken for granted. How strange it will be to get back to a place where a shower isn't just a drain in the bathroom floor! Eating with a knife and fork instead of fork and spoon.

My first thought, though, will probably be, "where are all the chickens?"

Friday, November 20, 2009

Authenticity

One of the little things that amused me while in Japan was watching the look of intense irritation that would sometimes waft across the face of another white person when they caught sight of me. Here I was, having a perfect Japanese moment, the look seemed to say; and then along came this lone other foreigner and RUINED it. Since so often you are clearly the only outsider around, it is noticeable when you pass another of your kind, the dreaded foreign tourist.

This is especially funny in Japan because no matter how many gaikokujin pass through the country, it is hard to imagine there ever being enough to even slightly dilute its essential Japaneseness. Plus, what did you think, other traveller, all these signs in English everywhere were erected for your personal benefit?

I mock, but alas I too am one of those travellers who dislikes thinking of herself as a tourist (though that is what she is). This search for authenticity (and getting to be an invisible observer) is the kind of concept Stuff White People Like was invented to make fun of, but in a way it's an almost necessary part of the desire to travel. We make the effort because we're captivated by some idea of the exotic Other Place, even if the ideal is just a white sandy beach. Then when you get there you have to deal with the fact that the beach is crowded with other holidaymakers, you get sunburnt, there are no bathrooms, and all the other little details that weren't covered in the brochure.

This fond delusion that I admit to cherishing, that as a traveller you can slip quietly into the background of a scene and be part of it without transforming it is of course an illusion for the most part. But one of the many delights of travelling in Japan is that no matter how touristy and built-up the site is, the number of domestic tourists by far outweighs the number of foreign ones. So even if you are having a dreadfully tacky tourist time, it's AUTHENTICALLY tacky. (Plus it's Japan so it's still aesthetically pleasing.)

If Japan let me nourish my delusions in peace, my first few days in South-East Asia were a shock to the system. The presence everywhere in Ubud of posters advertising "the "real" Bali!" were a bit of a hint that this authenticity was no more. If it's made it into scarequotes and onto tour descriptions, it might not be quite what it used to be.

Of course there is still "real" Bali, but it has to hide a little harder from the tourists to maintain itself. Plus, when you're aware that the presence of so many other tourists has already pushed it underground, how hard do you want to try to find it, and make it more vulnerable still?

So then what does the determined non-tourist do? Slip from travel mode into vacation mode and just enjoy the surface pleasures (in Bali there are many, many pleasures to be enjoyed, "real" or not)? Or try to find some non-toxic way to travel? I prefer the following, but short of living somewhere and properly learning about it, I'm not sure what it is. But I have a few months left to try and find out.

Photo: the author, inauthentically pretending to be Japanese at a ryokan in Fukuoka, Kyuushu.

Thursday, November 05, 2009

Travel Essentials

I've had a few grumpy days lately - well, not all grumpy - but lacking the sort of 24-hour-a-day wideeyed wonder that I can usually sustain while travelling. This isn't that surprising I guess. I've now passed the limits of any vacation I've taken before, having been on the road for almost four weeks. (This isn't counting my time in Berlin and in NYC where I had an apartment - just living out of a suitcase travel). I'll have to learn the rhythms of travelling for a longer period, which probably include both more downtime each day, and also crafting a sense of purpose to my trip beyond just seeing the sights.

It's all making me think of travel essentials. First of all there are the basic necessities you need to carry with you. As you all know, travelling light is exactly what I am incapable of doing. But I'm hoping that these six months will teach me a lot about what is and isn't necessary and maybe I'll shed certain inessentials as I go. We are still talking about me here, and I like having a knitting project and book or two on hand, so I'll never be the true pilgrim pioneer, but doubtless there is a more streamlined way to be me and I'm looking forward to finding it.

Then there is the travel checklist, when things start to go minorly awry. This would be different for each person of course, but I have a little list of rules I remind myself of, which begins:
  1. When you realise you are grumpy, sit down and eat something.
  2. A shower is nearly as good as a night's sleep.
  3. You can't see everything, so don't try.
  4. Duck.
The last, of course, pertains particularly to me and particularly to Asia. I'm staying in a beautiful old wooden house in Kyoto right now and I am victim to its loveliness. For the umpteenth time just now I cracked my head into the solid wooden doorframe, raising quite the bump on my forehead...but then, having flipped through the guestbook I see I am not the only person who just can't learn that she is taller than her surroundings intended her to be! It's surprisingly easy to just drive yourself on and on, and get progressively more disgruntled and discontented. I suppose because we are so unused to having as much free time as one has when on vacation, it's tempting to create such a busy schedule that one hasn't got time to think about what one's doing at all.

But the whole point about this trip is to think carefully about what I'm doing, so that's the puzzle I'm working on now.

I've been thinking about essentials in a different way, too. Despite my declared intention to see the world with my child mind, glancing over these posts and even thinking about ideas for posts that I haven't got around to writing yet, I see how much I am reacting to preconceived notions - or more convolutedly, to my imagined idea of what people's preconceived notions of Japan are. Too many layers! Also, I keep thinking that I can try to "explain" Japan to people, to try and show what life is like here.

This is crazy for a bunch of reasons. First of all, I don't know what I'm talking about, and half the people reading this blog know a lot more about Japan than I ever will. Plus, the internet is full of Westerners writing about their experiences in Japan, and the basic rules of life in Japan like how to use an onsen, or what slippers to wear when, are all described over and over again. So I don't need to do it here.

I've been thinking a lot about essentialism, the colonialist's instinct to label, package, and as a result, limit and silence a conquered people. It's so funny to think about the many things that have been written about Japan, since people tend to be quite opinionated on the topic. It's amusing to read on one hand that, say, Japan lacks creativity and innovation, and then on the other hand to read the fawning awe the West has for Japanese craft and design. There are so many such contradictions, and in the end gross generalisations will always be refuted by individuals who will not be so contained.

In writing about Japan, I've been wanting to overthrow some of the preconceptions Westerners have received about Japanese people, but in the end whenever you try to describe you generalise and you leave things out. And I know so little to begin with. It's nearly impossible not to compare things, or to generalise from observations, and of course you are always working on a basis of your own experience. But I want to try and avoid sweeping statements and explanations altogether, and just put together tiny fragments of experiences here, some kind of word collage of all the wonderful things I am seeing, hearing, smelling, touching, tasting.

Enough musing - I'm going out to respire l'air de Kyoto...


Friday, October 02, 2009

J'voudrais respirer l'air de Kyoto



J'aimerais bien savoir à quoi sers-je?
J'aimerais voir une forêt vierge

J’voudrais comprendre pourquoi Tout?

Et ne plus rien vouloir du tout


If there's anything more appropriate to kick off a transcontinental adventure than a Québec francophone klezmer song about the perils and joys of globalisation, I don't know what it is.

In any case, that's what I'm doing. In a few days I'm setting out for a six month tour of Japan and South-East Asia, and while I'm currently in that stage of preparation known as "denial" where everything feels quite unreal, it probably really is going to happen.

My plan is to blog about the trip here, and since my Brooklyn blog languished fairly quickly, I've decided to give myself a bit of a focus. Another thing I did to help prepare for my trip (=procrastinate) was to make a travel playlist - about five hours of music that in my mind at least was connected with travelling. I'm still hoping to find a way to put it all up here for you to listen to, but that may not happen.

So my focus is to use the songs to structure posts about travelling itself, as well as the details of the places I visit. This is a risky project that might degenerate rapidly into pretentious rambling, in which case I will cut it off.

Today's song, "Kyoto" by Polémil Bazar, is my response to everyone who asked me, "Why Asia?" or even better, "Why travel at all?" It's not so much that I have a good answer, more that I have a worse answer to the question "Why not?" So in this case I think I'll let the song answer for me.

The photos in this post are all from my trip to Kyoto in summer 2008. I hope to be posting new ones soon...

Oh and yes, the little wombat will be coming with me. She wants to see South-East Asia too!

The full lyrics to the song are here:
http://www.hugofleury.com/polo/texte_chants_mines.htm#KYOTO


J'aimerais voler, quitter ma tête
Aller semer partout la fête
Visiter Bagdad à vélo
J'voudrais respirer l'air de Kyoto

--Polémil Bazar