Showing posts with label home. Show all posts
Showing posts with label home. Show all posts

Friday, June 04, 2010

Brunch date: Fiddlehead Frittata

I love brunch. I love going out for brunch (preferably on weekdays; ah for my beloved Plateau lifestyle); and I love making it at home. For years and years I have kept going on about how I want to have regular brunch parties, since the food is so tasty and it's such a cosy relaxed meal to share with people. But in practice, life is busy and it never gets around to happening.

So, I've decided to take action by inaugurating the Stealth Brunch Party. For the last three weeks, I've made something fancy and/or exciting for brunch on Saturday mornings. It started with Mother's Day, continued when fiddleheads (my preferred augur of spring!) showed up at Granville Island market (albeit for a hairraising $10/lb), and then Maman's birthday was a further excuse. Sure enough, whether we all sat down together or people just helped themselves as they passed through the kitchen, everyone in the house eventually partook. I figure if I'm consistent enough, my brunch parties will become a reality.

So now you know - if you're in Vancouver of a Saturday, drop on by. Otherwise you can feast visually, as I plan to post photos on the blog. The idea is that the tradition marks some intersection of the practical (using up leftovers, in the way that cooked salmon from the previous night's dinner wound up in this dish) and the creative (not just brunch but original brunch is what we strive for!). We'll see how it goes, but so far, it goes tastily.

Monday, May 17, 2010

Breadmaking update: Brick ovens, kabocha, and very unscientific levain!

It might be the fact that I have absolutely no breadmaking agenda these days, but for whatever reason I have been baking pretty much nonstop. So much that I forgot to write down whatever I did to produce the rather awesome experimental espresso-spelt bread, though hopefully I'll be able to more or less reproduce it. Yesterday I actually had a reason to bake though - we were firing up the brick oven again, and wanted to have some loaves to show for it.

I stirred together a regular spelt poolish the night before, and planned to put the leftover roasted squash from that morning's waffles to use in it in some way. It was only Sunday morning that I remember the little lump of dough languishing in the fridge hoping to become my first attempt at the levain method someday. So I decided to go for two separate doughs, figuring that the levain might be a total failure, but even if it succeeded, the 14 people attending that night's dinner would probably be able to keep up with the eating.

Of course, I only thought about the levain when I got home from yoga at about 12:30. After a quick perusal of our cookbooks and some online sources, it was pretty clear that I wasn't going to be able even to approach orthodox levain methods since at the very latest I should have started to reactivate it the night before. Instead, I just decided to take what I vaguely remembered having read about levain some years before, and just run with it. What could happen?

It wouldn't have been your purist's levain in the best of timings. Levain is a wild-yeast method akin to sourdough. The classic French countryside technique, it involves keeping back some of the preceding week's batch of dough to start the next. Originally it would of course have been kept at room temperature, there not being any other temperature. All that fermentation gives you plenty to work with, keeps the wild yeasts alive in your kitchen. What appeals to me about levain over sourdough is that you don't have to keep refreshing the starter in a way that has always seemed rather wasteful to me (I should state upfront that I have never made proper sourdough yet, though I will get around to it eventually). Instead, you just take your preserved lump of dough, now incredibly stringy with gluten and very wet from all the reactions that have gone on during its resting time, and combine it fully into the new dough. Then before baking, you keep back a new piece, child of the current batch, for use next week.

That much I remember from my prior reading. Anyhow, now I was faced with a cold, stringy little lump of dough, which itself had been started with yeast, albeit slow-started with only a 1/4 teaspoon and left to itself to develop into a fully-raised dough. Nothing purist here, but in for a penny. I decided to help myself out a little, and make this dough in the same bowl I'd had the poolish for the squash dough in, so that the levain could get a little boost from the recent yeast activity still clinging to the sides of the unwashed bowl. I poured in a little water, and started to break up the levain in it with my fingers.

I had to start giggling for a bit, as it seemed like rather than levain, I was ending up with something else I had read about but never made - seitan (wheat gluten, the stuff Asian fake meat is often made of). You make it by developing strands of gluten and gradually washing the starch out of it till you're just left with pure strands of gluten. And that's what I had - stretchy strings of gluten that wouldn't dissolve but kept recoalescing in the water under my fingers. At least they were resilient!

After awhile it seemed I'd done all I could do, so I started stirring all purpose flour into the bowl, and made a little sponge that I left to activate for a bit, just to see whether anything was really going to happen at all in the midst of all this unorthodoxy.

While it was resting I made the dough for the squash bread. I mashed roasted kabocha squash into some yogourt, then stirred in the poolish and a bit more water, then some rye flour. All things considered, I would have liked to have given that sponge a few hours to get acquainted with itself, but instead I just gave it a few minutes and then stirred in all purpose flour until it was ready to be kneaded. After being dubious at first, I have become a total convert to Richard Bertinet's kneading method, described in detail in his book DOUGH: Simple Contemporary Bread. It's got great recipes and the design is lovely, but the best part is this method totally unlike any other I've seen described. The crucial parts are, don't flour the work surface, and rather than pressing and folding the dough over itself, you pull it away and toss it forward, so that you are always stretching the dough and encouraging its growth. There are moments where the dough seems impossibly sticky, but it has always come together for me in the end. I am sure I have been saved from many otherwise unforgivable bread mistakes by the way this knead builds cohesion and resilience in the dough.

Back to the levain, and to Bertinet's kneading again. The bubbles in the sponge showed that SOMETHING was working, and the kneading transformed my little brown blob into something that was clearly leavened bread dough. The gluten strands were short with a tendency to break at first, and the dough was definitely a bit stiffer than what I usually produce, but by the end of the kneading it was a creditable effort. Just a couple of hours to rise, and my lunchbreak.

By this time the fire was roaring, and the dough was ready for shaping. My squash dough became three loaves and 8 pizzette, the levain one loaf, 7 pizzette, and one little lump of dough back in the fridge to wait for next week's levain experiment. A la le Fromentier, beloved Montreal bakery, the squash dough was adorned with black sesame seeds, and one of the loaves got studded with pumpkin seeds. The levain stayed plain, and all the loaves were hidden under double layers of kitchen towel to rise.

Maman had requested pizzette to go along with the olives and other antipasti when everyone arrived, and overall I prefer pizza bianca so that's what we had. I plucked a handful of nearly everything in the herb garden (rosemary, thyme, sage, tarragon, oregano - I left out the lavender; and some basil), chopped them and stirred them into olive oil, then rubbed the tops of the rolled out rounds of flatbread that had already risen for 30 minutes. I had intended to serve them with feta, but it had gone off, so it was just veggies. Some I made with cherry tomato halves, others with the rest of the roasted kabocha, and some with both.

We've lit the brick oven a few times, and I have made dough for it before but not actually presided over the baking. It was slightly stressful but also really fun, spinning the disks of dough about right next to the burning logs so as to brown them evenly, learning the best in-the-absence-of-a-peel technique, and leaping madly on the errant tomato halves that tried to bake solo. A few more sessions and I think I'll have it down.

I was a bit less successful with the loaves - I only managed to bake one in there around the roast pork, huge trays of roasted vegetables, whole kabocha squashes (for an amazing goat cheese, arugula and mint warm salad) and the tray of baked pears for dessert (served with the now-legendary homemade honey-thyme ice cream). That one loaf ended up with a carbonised exterior that I had to peel off. The bread inside was quite delicious though - moist, airy, well-structured, a lovely tan colour shot through with bright orange from the squash. We passed it around picking off pieces and the whole thing vanished before supper was properly begun. I baked the other three in the conventional oven, by which time they were a little overrisen and not at their best. The crust is more hard than crisp, but the dough structure in the levain is fantastic - well aerated and spongy. The taste is subtle but good - I'll have to see if later experiments can yield a more sourdoughy flavour. The squash bread is softer and a little sweeter and cries out to be made into a grilled sandwich.

All in all a good day's breadmaking - and with 14 of our extended family sitting down together outside in the obliging evening sunshine, with the wild gymnastic displays by my boy-cousins, my nieces' kindness in sharing their dinner with my recycled My Little Ponies and the poor, pork-smeared stuffed emu; with reading some books in the glider before dessert, and fighting my toddler niece for control of our shared dessert spoon (and saving the emu from chocolatey smears to match the pork ones) - a perfect Sunday evening.

Tuesday, May 04, 2010

The Telltale Handprint

My mother, modelling the latest in lululemon's spring Cakeathlon collection, especially designed for frenetic marathon wedding cake sessions. Notice the appropriate colour scheme.

We always tease my mom that she's not really cooking unless she's wearing floury handprints on her bum. It turns out that cornstarch is a much better medium for self-expression - we couldn't even get it to smudge, much less come off!

Saturday, May 01, 2010

Chronicles of Noodlemaking, Week 2: Amdo Noodle Squares

Since week 1 went so well, I decided to stick to Tibet for the next week and make Amdo Noodle Squares, also from Alford and Duguid's Beyond the Great Wall. The recipe is fairly similar to the last, but with a plainer dough - just flour, salt, and water. Instead of rolling the dough into logs after letting it rest, and pinching off the pieces impressionistically, you roll it out flat and cut it into squares.

The dough was fairly easy to work with, and as you don't have to roll it out that thin, it went quickly, especially with the devoted assistance of my niece, who lovingly patted each little square and gently placed it on the floured towel to await its turn in the pot. Ever since she could sit, she has always wanted to be lifted up onto the counter to help whenever the flour starts flying (she's 4 now). We boiled them briefly in a large pot and that was that - quick and easy despite all the commotion going on in the kitchen.

Embarrassing to relate, but with everything else going on, I almost forgot to make the noodles this week - I was just saved by a friend asking how the project was going. So I ended up making them to go with Sunday night family dinner. We ate the Tibetan noodles in a big pot of minestrone that I had made the night before.

The verdict? The noodles with their minimalist ingredients weren't as tasty or as intriguingly textured as the first week's batch, but they stood up nicely in the soup, and they paired excellently well with grated parmigiano. Tasty, if not stunning.

Friday, April 30, 2010

Spring cleaning

One thing about unpacking after a long hiatus is that you never quite know what you're going to find in the boxes.






Or you get a chance to revisit old, long-beloved creatures that you know it's time to let go of...

Thursday, April 22, 2010

Chronicles of Noodlemaking, Week 1: Earlobe Noodles

I don't like to be bereft of projects (though somehow this is rarely a problem for me); and I had just been through six months where I barely got to cook at all. So before I even got home I had made major culinary plans, the most ambitious of which is the Noodlemaking Project.

Actually it's not that complicated. I just decided that as a Homecoming Resolution, I wanted to make noodles from scratch once a week for a year. I got addicted to breadmaking a few years ago and baked at least three times a week, with the result that I can improvise all sorts of bread depending on my mood, flat or loaf, leavened or un-. The plan once I get cosy with noodles is to progress to cakes, since my recipeless experiments in pastry thus far have NOT been successful. Noodles seemed a lot more forgiving (and easier to eat en masse), and so a better way to ease back into cooking.

Jet lag couldn't keep me down, so my first full day back saw me tossing flour in a bowl with some salt, oil, and an egg. I'm focussing my explorations on the cookbook Beyond the Great Wall, by Jeffrey Alford and Naomi Duguid, to begin with anyhow. I've ogled the photos and browsed the recipes but not really cooked from it yet, but there's a fairly broad noodle section, most of which are simple to make. I decided the Inaugural Noodle would be Earlobe Noodles, from western Tibet.

Making the dough is pretty much the same as making a bread dough - you just stir it all together, knead it a bit, and then let it rest awhile. The recipe calls for using a food processor, but I prefer to do things by hand when possible and this dough came together easily, though I may have ended up using a bit more water that way. While the dough was sleeping I made up a quick stew. Noodles are often eaten with lamb in Central Asia, but I figured a vegetarian chickpea-tomato-cabbage combination would work too.

By the time the water was boiling, my little sister had dropped by and my mother came up from her endless unpacking, so we got to shape the noodles together. This step is why I picked the earlobe noodles to start with. You just divide the dough into four pieces and roll them into long sausages. Then you stand over the bubbling pot and tear off little pieces, flinging them into the water. It got a bit crowded standing there together in the steam, but it seemed like the essence of being home, hungry but smelling the rich smells and working together for our meal.

And the noodles were delicious. Thick and soft but with a lovely springy bite; despite uneven size and shape none of them were soggy. They had enough flavour that we all sneaked a few extra noodles eaten plain while we were cleaning up. The stew coated them nicely and the vegetables were a fresh contrast to the slippery noodle rounds. If it's this easy every week, the year is going to fly by...

The morning after

My first morning back in Canada dawned clear and cold, with a startlingly low snowline on the local mountains. This is the view that greeted me when I stumbled blearily into the kitchen, and true to my recent training, I immediately stumbled back to the bedroom to fetch my camera. Phew! I didn't leave all the beauty behind me in Asia. It was a gloriously sunny day, and the espresso machine blinked at me from its corner. It's good to be home.

Tuesday, April 13, 2010

My Wandering Days Are Over

Photo: Kamakura-Enoshima Furii Kippu, day pass for a trip to the region in Kanagawa-ken, with a background of commuters hurrying for the Shonan-Shinjuku line back to the city. I had visited Kamakura for the first time on my first trip to Japan, in July 2008. It was such a pleasure to return on my last full day in Japan, in Asia, to go back to see the Daibutsu (Great Buddha) and the Kannon Hasedera Temple, as well as new discoveries like Enoshima Island. Six months on, so much to revisit, so much new to find.
You know my wandering days are over
Doesn't mean that I'm getting boring
You tell me
I'm tired of listening to myself here
I'm back! Safely home! And although, like in the song by Belle & Sebastian, "six months on, the winter's gone", I'm not filled with melancholy like the lonely circus boy and disenchanted pony. Instead I'm full of energy to leap into my new life, to settle into Vancouver, and to sort through the detritus of what seems like several past lives currently tucked into myriad boxes.

But I'm not turning my back on the trip altogether. I've transferred all 7,389 photos to my computer, and eventually I'll start sorting through them and posting some more here. Although I never got around to writing most of my planned posts on my travel music, I might get around to it now...and there are always future trips to plan.
You know my bip-bopping days are over
I hung my boots up and then retired from the disco floor
Now the centre of my so called being is
The space between your bed and wardrobe with the louvre doors
Lyrics here.

Friday, April 09, 2010

Happy Birthday Daddy!

So glad we got to celebrate not too far off the day.